Презентация, доклад Fine Art Изобразительное искусство

at picturesque canvases, in museums we look at statues, listen to music, read literature, wonder at the beauty of old buildings, watch theatrical performance of artists, watch movies. And these different phenomena is called as art.

музеях рассматриваем статуи, слушаем музыку, читаем литературу, удивляемся красоте старинных построек, следим за театральным выступлением артистов, смотрим кинофильмы. И это разные явления называем искусство.

province of Cantabarria in the cave of Altamira in 1875.

Amateur archaeologist, Spanish lawyer Marcelino Sanz de Sautuola.

techne, or in English “skill”, a sense that has survived in phrases like “the art of war”, “the art of love”, and “the art of medicine.”
Art history is the study of objects of art in their historical development and stylistic contexts; that is genre, design, format, and style. The study includes painting, sculpture, architecture, ceramics, furniture, and other decorative objects.

лев при храме 
Юнхэгун, Пекин, 
Империя Цин, ca. 1694
Chinese lion at the temple
Yonghegun, Beijing,
Qing Empire, ca. 1694

of Countess Sheremetyeva",
N. Argunov

«Портрет М.И.Лопухиной», Боровиковский
"Portrait of M.I. Lopukhina", Borovikovsky

являются линии, штрих, контур, пятно и тон, а роль цвета условна и ограничена.

Graphics is one of the types of fine art, the main means of which are lines, stroke, contour, stain and tone, and the role of color is conditional and limited.

specific themes.
The genres of art include:
1. Landscape - the image of nature. It happens:

Игра в бабки.
V. E. Makovsky. Knucklebones

Chudov Monastery in the Moscow Kremlin

A.M. Vasnetsov, Bazar. XVII century.
1903

Степан Шухвостов, Внутренний вид Алексеевской церкви Чудова монастыря в Московском Кремле

А.М.Васнецов, Базар. XVII век.1903

Бученторо к молу в Праздник Вознесения 

Canaletto - Bucentoro's return to the mole on Ascension Day

the Volga." 1873

“Among the flat valleys ...”, I. I. Shishkin, 1882

Boris Mikhailovich Kustodiev. Pancake week.

Isaac Levitan. High water. 1897

Ivan Khrutsky. "Flowers and fruits."
1836

Ambrosius Boshart the Elder, Bouquet in the arched window. 1618,

a jug ".1927

Karl Bryullov. "Italian afternoon." 1827

I.Kramskoy. Unknown. 1883

B. Kustodiyev. "The Trades-
woman for Tea" .1918

"Young Bull"

Маковский К. Е. 1889 г.

Фирс Журавлёв. «Купеческие поминки». 1876 г

К.Е.Маковский - Поцелуйный обряд, 1895 

"Тройка" Василий Перов, 1866

Under the crown. Makovsky K.E.,
1889

Firs Zhuravlev. "Merchants commemoration." 1876

KE Makovsky - Kiss Rite, 1895

The Troika Vasily Perov, 1866

Portrait

on canvas, Russian Museum, Saint Petersburg

Rembrandt, Self-Portrait with Two Circles, c. 1665–1669, oil on
canvas, Kenwood House, London

born in Sufford, on June 11, 1776. He was the son of a wealthy miller. He began to take interest in landscape painting while he was at grammar school.
In 1799 Constable entered the Royal Academy School in London. He was the first landscape painter who considered that every painter should make his sketches direct from nature, that is, working in the open air. Constable's art developed slowly.

Albert Museum

the people working there. He put the smiling meadows, the sparkle of the sun on rain, or the stormy and uncertain clouds. The most notable works of Constable are "Flatford Mill", "The White Horse", "The Hay Wain", "Waterloo Bridge", "From Whitehall stairs" and others.
In England Constable never received the recognition that he felt he was due. The French were the first to acclaim Constable publicly. His influence upon foreign painting schools has been powerful. Constable may truly be considered the father of modern landscape painting.

в. Систематического художественного образования не получил. Начинал своё творчество как пейзажист. Ранние пейзажи и портреты Гейнсборо отмечены чуткостью и непосредственностью восприятия натуры, несколько наивным поэтическим очарованием ("Портрет Р. Эндрюса с женой", около 1749, Галерея Тейт, Лондон).
Зрелый стиль художника сложился к 70-м гг. под влиянием А. ван Дейка и А. Ватто. Портретным образам Гейнсборо, нередко помещённым на фоне мягкого идиллического ландшафта, свойственны душевная утончённость, трепетная одухотворённость и поэзия, едва уловимые оттенки движения чувств.

the English school of portrait painting of the XVIII century. Systematic art education is not received. He began his work as a landscape painter. Early landscapes and portraits of Gainsborough are marked by the sensitivity and spontaneity of perception of nature, somewhat naive poetic charm ("Portrait of R. Andrews with his wife", circa 1749, Tate Gallery, London).
The mature style of the artist was formed by the 70s. under the influence of A. van Dyck and A. Watteau. The portraits of Gainsborough, often placed against the background of a soft, idyllic landscape, are characterized by emotional sophistication, reverent spirituality and poetry, subtle shades of the movement of feelings.

1770. Hermitage, St. Petersburg

Morning Walk, 1785National Gallery, London

юношеские портреты Гейнсборо ("Голубой мальчик", около 1770, галерея Хантингтон, Сан-Марино, США; "Портрет дамы в голубом", конец 70-х гг., ГЭ), а также парные и семейные портреты, в которых художник раскрывает тонкую духовную близость людей ("Дочери художника", около 1759, и "Утренняя прогулка" - портрет У. Хэллета с женой, 1785, Национальная галерея, Лондон). Глубокая человечность присуща его изображениям крестьянских детей ("Деревенские дети", 1787, Метрополитен-музей). 

The Blue Boy (The Huntington Library, San Marino L. A.)

Gallery, San Marino, USA; Portrait of a Lady in Blue, late 70s, ET), as well as paired and family portraits in which the artist reveals the subtle spiritual closeness of people ("Artist's Daughters", about 1759, and "Morning Walk" - a portrait of W. Hellett with his wife, 1785, National Gallery, London). Deep humanity is inherent in his images of peasant children ("Village Children", 1787, Metropolitan Museum).

разноцветных мазков придают его картинам ощущение изменчивости и воздушности. Особенно излюбленны художником холодные голубые тона, оттенённые мягкими перламутровыми переливами красок. Среди рисунков Гейнсборо главное место занимают пейзажи и сцены крестьянской жизни, полные ощущения поэзии и изменчивости природы.

Деревенская девочка собакой и кувшином

dynamism of small flowing multi-colored brush strokes give his paintings a feeling of changeability and airiness. The artist is especially fond of cold blue tones, shaded by soft mother-of-pearl tints of colors. Among the drawings of Gainsborough, the main place is occupied by landscapes and scenes of peasant life, full of feelings of poetry and variability of nature.

Cottage girl with dog and pitcher

Siddons, 1785
National Gallery, London

1749 National Gallery, London

Cathedral of Salisbury, 1823, Victoria and Albert Museum

Gallery, London

1789

Joshua Reynolds
Portrait of actress Sarah Siddons as the Muse of Tragedy, 1789