Презентация, доклад по английскому языку на тему История кино (6 класс)

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The foundersThe Lumiere brothersThe inventors of cinema, motion-picture camera and the directors of the first films in the world – the Limiere brothers.

Слайд 1History of Cinema
We learn more about cinema

History of CinemaWe learn more about cinema

Слайд 2The founders
The Lumiere brothers

The inventors of cinema, motion-picture camera and the

directors of the first films in the world – the Limiere brothers.






The foundersThe Lumiere brothersThe inventors of cinema, motion-picture camera and the directors of the first films in

Слайд 3Films
The first film-session was held after Christmas 1895 in a Paris

cafe.

That year on the 28 December they demonstrated the first three-minute film «Arrival of the Train».

FilmsThe first film-session was held after Christmas 1895 in a Paris cafe.That year on the 28 December

Слайд 4Development of Cinema
Is it an art?
The cinema was the popular entertainment.
The

audience consisted mainly of workers.

The rich and intellectual classes ignored it.
They didn’t think it was an art.

Development of CinemaIs it an art?The cinema was the popular entertainment.The audience consisted mainly of workers.The rich

Слайд 5Picture Palaces
In the mid -1910s the
first theatres were
opened in the USA

and
Europe.
The Roxy Cinema in
New York cost $12
million to build and had
6214 seats.
Picture PalacesIn the mid -1910s thefirst theatres wereopened in the USA andEurope. The Roxy Cinema inNew York

Слайд 6Silent films
In 1908 the USA had 10,000 cinemas with 20 million

customers a week.

Silent filmsIn 1908 the USA had 10,000 cinemas with 20 million customers a week.

Слайд 7Silent films


In 1918 the film star Mary Pickford was the most

famous woman in the world. She received $ 350,000 per film.


Silent filmsIn 1918 the film star Mary Pickford was the most famous woman in the world. She

Слайд 8The film stars of silent films
Mary Pickford – “America’s sweetheart” in

“Poor Little Rich girl”.
She played little girls. But in this film she was 23 years old.

The film stars of silent filmsMary Pickford – “America’s sweetheart” in “Poor Little Rich girl”.She played little

Слайд 9The film stars of silent films
Charlie Chaplin
His silent films were perfect

works of art.
He created the language with his face and his body.
The film stars of silent filmsCharlie ChaplinHis silent films were perfect works of art.He created the language

Слайд 10The Classical Hollywood Silent Era 1908-1927

The Classical Hollywood Silent Era 1908-1927

Слайд 11In the beginning…
As an art movement, The Silent Era follows…

Early Experimental

Cinema 1893-1903 (the inventors) in the US and France

The Brighton School 1896-1905 in England
In the beginning…As an art movement, The Silent Era follows…Early Experimental Cinema 1893-1903 (the inventors) in the

Слайд 12In the beginning…
Filmmaking was still in its infancy as an art—films

were more money-making ventures and technological experiments

Directors were not encouraged to be artists—they were thought of as factory workers
In the beginning…Filmmaking was still in its infancy as an art—films were more money-making ventures and technological

Слайд 13Early Edison Films
Sandow, 1894
The Kiss, 1896

Early Edison FilmsSandow, 1894The Kiss, 1896

Слайд 14The Great Train Robbery (1903)
First Western
First to use editing as a

storytelling technique
One of the first to use panning and close-ups
Moved from documentary to narrative
Based on a true robbery by Butch Cassidy
The Great Train Robbery (1903)First WesternFirst to use editing as a storytelling techniqueOne of the first to

Слайд 15The Silent Era as Art
The Classical Hollywood Silent era is marked

by the films that emerged with the first film studios
Silent films began to take on a narrative structure and use filmmaking conventions
D.W. Griffith’s Birth of a Nation set the stage for modern cinematic storytelling
The Silent Era as ArtThe Classical Hollywood Silent era is marked by the films that emerged with

Слайд 16Birth of a Nation (1915)
Based Thomas Dixon Jr.'s anti-black, bigoted play,

The Clansman
Its release set up a major censorship battle over its vicious, extremist depiction of African Americans. Unbelievably, the film is still used today as a recruitment piece for Klan membership.

Birth of a Nation (1915)Based Thomas Dixon Jr.'s anti-black, bigoted play, The ClansmanIts release set up a

Слайд 17Birth of a Nation (1915)
It was one of the biggest box-office

money-makers in the history of film, due to its charge of $2 per ticket. It made $18 million by the start of the talkies.
Riots in Boston and Philadelphia. Chicago, Denver, St. Louis and other major cities refuse to show it
Birth of a Nation (1915)It was one of the biggest box-office money-makers in the history of film,

Слайд 18Birth of a Nation (1915)
Film scholars agree, however, that it is

the single most important and key film of all time in American movie history
Introduces & refines camera angles, traveling shots, artificial lighting, realistic sets, flashbacks, split screens, soft focus, dissolves, fades, and irises.
Birth of a Nation (1915)Film scholars agree, however, that it is the single most important and key

Слайд 19Stars of the Silent Screen

Stars of the Silent Screen

Слайд 20Florence Lawrence
America’s 1st Movie Star

Florence LawrenceAmerica’s 1st Movie Star

Слайд 21Mary Pickford
America’s Sweetheart

Mary PickfordAmerica’s Sweetheart

Слайд 22Charlie Chaplin

Charlie Chaplin

Слайд 23Harold Lloyd

Harold Lloyd

Слайд 24Buster Keaton

Buster Keaton

Слайд 25Fatty Arbuckle

Fatty Arbuckle

Слайд 26Keystone Kops

Keystone Kops

Слайд 27Douglas Fairbanks, Sr.
The King of Silent Hollywood

Douglas Fairbanks, Sr.The King of Silent Hollywood

Слайд 28Clara Bow
The “It” Girl

Clara BowThe “It” Girl

Слайд 29Rudolph Valentino

Rudolph Valentino

Слайд 30Dorothy & Lillian Gish

Dorothy & Lillian Gish

Слайд 31Theda Bara

Theda Bara

Слайд 32Lon Chaney
The Man of a Thousand Faces

Lon ChaneyThe Man of a Thousand Faces

Слайд 33Tom Mix

Tom Mix

Слайд 34Greta Garbo

Greta Garbo

Слайд 35Talkies & Color Films
The era of the talking films began in

1927 with The Jazz Singer.
100% sound film Lights of New York appeared in 1928.
The first color film, Gone With the Wind, was shot in 1939.
Talkies & Color FilmsThe era of the talking films began in 1927 with The Jazz Singer.100% sound

Слайд 36The first color film, Gone With the Wind, was shot in

1939.
The first color film, Gone With the Wind, was shot in 1939.

Слайд 37Hollywood
In 1911 the first studio appeared in Hollywood.
In the 1920s Hollywood

made 80% of the world’s films.
HollywoodIn 1911 the first studio appeared in Hollywood.In the 1920s Hollywood made 80% of the world’s films.

Слайд 38The first genres of American films

Western
Comedy
Melodrama

The first genres of American filmsWesternComedy Melodrama

Слайд 39The Conclusion
Today, no one disputes cinema’s place as the ‘seventh art’.

According to Derek Malcolm of The Guardian,
“Cinema has provided as many great artists over the last 100 years as literature, the theatre, and any of the other arts.”
The ConclusionToday, no one disputes cinema’s place as the ‘seventh art’. According to Derek Malcolm of The

Слайд 41AMERICAN CINEMA

AMERICAN CINEMA

Слайд 42EUROPEAN INFLUENCES
1897 – George Melies creates 1st film studio
1902 – A

Trip to the Moon
1925 – Odessa Steps from Battleship Potemkin by Sergei Eisenstein
Odessa Steps
And of course German Expressionism

EUROPEAN INFLUENCES1897 – George Melies creates 1st film studio1902 – A Trip to the Moon1925 – Odessa

Слайд 43SMILE FOR THE CAMERA
Eadward Muybridge – set 12 cameras up and

triggered as horse galloped by first film 1878
1884 – Eastman developed celluloid film which allows light to pass through
1884 – Edison and William Dickson invented the Kinetoscope Fred Ott's Sneeze

SMILE FOR THE CAMERAEadward Muybridge – set 12 cameras up and triggered as horse galloped by first

Слайд 44NEW YORK-WOOD
Intermissions in vaudeville shows
First huge success– THE GREAT TRAIN ROBBERY,

1903
New York was epicenter of film industry
NEW YORK-WOODIntermissions in vaudeville showsFirst huge success– THE GREAT TRAIN ROBBERY, 1903 New York was epicenter of

Слайд 45THE COLUMBUS OF AMERICAN CINEMA
BETTER YEAR-ROUND WEATHER
1910 D.W. Griffith sent to

film in California and discovered Hollywood
The 1ST film shot – IN OLD CALIFORNIA
THE COLUMBUS OF AMERICAN CINEMABETTER YEAR-ROUND WEATHER1910 D.W. Griffith sent to film in California and discovered HollywoodThe

Слайд 46HURRAY FOR HOLLYWOOD
1913 – many movie-makers went west
Edison’s patent costing too

much money in NY
Sunshine all year and scenery to diee for
HURRAY FOR HOLLYWOOD1913 – many movie-makers went westEdison’s patent costing too much money in NY Sunshine all

Слайд 47NICK AT NIGHT
NICKELODEONS – short films for a nickel
Business men handled

the production side of filmmaking became the heads of movie studios – GOLDWYN, MAYER, WARNER BROS.







NICK AT NIGHTNICKELODEONS – short films for a nickelBusiness men handled the production side of filmmaking became

Слайд 48IF YOU BUILD IT, THEY WILL COME
After WWI European filmmakers –

Hitchcock, Fritz Land, Valentino, Dietrich
Sound brought stage actors to the movies - 1927 – THE JAZZ SINGER, the first sound film
MID-1940’S – more than 400 MOVIES P/YEAR
IF YOU BUILD IT, THEY WILL COMEAfter WWI European filmmakers – Hitchcock, Fritz Land, Valentino, DietrichSound brought

Слайд 49THERE’S GOLD IN THEM THERE HOLLYWOOD HILLS
Golden Age – 1920’S TO

1950’S
Main genres– Western, Slapstick, Comedy, Musical, Cartoon, Biopic
Studios owned theatres
THERE’S GOLD IN THEM THERE HOLLYWOOD HILLSGolden Age – 1920’S TO 1950’SMain genres– Western, Slapstick, Comedy, Musical,

Слайд 50THE STUDIO SYSTEM
Each had its own style and characteristics
Actors had contracts


Very respective system made $$$$
Still allowed for artistic creativity and artists
THE STUDIO SYSTEMEach had its own style and characteristicsActors had contracts Very respective system made $$$$Still allowed

Слайд 51THE GOOD, THE BAD, & THE UGLY
Profitable
Allowed gambles on smaller

films like CITIZEN KANE
THE WIZARD OF OZ, GONE WITH THE WIND, CASABLANCA, IT’S A WONDERFUL LIFE, KING KONG, SNOW WHITE, MR. SMITH GOES TO WASHINGTON
THE GOOD, THE BAD, & THE UGLYProfitable Allowed gambles on smaller films like CITIZEN KANETHE WIZARD OF

Слайд 52THE FALL OF THE STUDIO EMPIRE
Two forces antitrust action -studios could

no longer own theatres
Contracts no longer valid
Cecil B. Demille stayed or used the same team in Television
THE FALL OF THE STUDIO EMPIRETwo forces antitrust action -studios could no longer own theatres Contracts no

Слайд 53CINEMA WARS
Produced film that could not be seen on TV
Spectacular, larger-than-life


Film became art and TV – ugly stepsister
Supreme court ruled film an art form and gave it the 1ST Amendment protection
CINEMA WARSProduced film that could not be seen on TVSpectacular, larger-than-life Film became art and TV –

Слайд 54TIME FOR A CHANGE
Post classical cinema – New approach to drama

and characters
Chronology CHRONOLOGY MIXED UP, TWIST ENDINGS
FILM NOIR – REBEL WITHOUT A CAUSE AND PSYCHO

TIME FOR A CHANGEPost classical cinema – New approach to drama and charactersChronology CHRONOLOGY MIXED UP, TWIST

Слайд 55WE’RE GOING TO NEED A BIGGER BOAT
NEW HOLLYWOOD – FILM SCHOOL-TRAINED

DIRECTORS
EUROPEAN INFLUENCES
COPPOLA, LUCAS, SPIELBERG, DE PALMA, SCORSESE, FRIEDKIN
1970’S - CRITICALLY ACCLAIMED AND COMMERCIALLY SUCCESSFUL
THE GODFATHER, JAWS, STAR WARS
LOW BUDGETS – BONNIE AND CLYDE AND EASY RIDER
WE’RE GOING TO NEED A BIGGER BOATNEW HOLLYWOOD – FILM SCHOOL-TRAINED DIRECTORSEUROPEAN INFLUENCESCOPPOLA, LUCAS, SPIELBERG, DE PALMA,

Слайд 56SIZE MATTERS
1950’S – PRESENT – BLOCKBUSTERS
WIDESCREEN, TECHNOLOGY ADVANCES
STAR POWER AND ADVERTISING
LARGE

AUDIENCE TO MAKE A PROFIT
SOMETIMES BACKFIRES
EX: WATERWORLD, HOWARD THE DUCK, JOHN CARTER, TERMINATOR 3
SIZE MATTERS1950’S – PRESENT – BLOCKBUSTERSWIDESCREEN, TECHNOLOGY ADVANCESSTAR POWER AND ADVERTISINGLARGE AUDIENCE TO MAKE A PROFITSOMETIMES BACKFIRESEX:

Слайд 57GOOD THINGS COME IN SMALL PACKAGES
1980’S & EARLY 90’S – RISE

OF INDEPENDENT FILM (INDIES)
INDEPENDENT FROM THE STUDIO
SMALL BUDGETS
HIGH PROFIT-TO-COST RATIO
SUCCESS DEPENDENT ON CRITICAL ACCLAIM
AKA: ARTHOUSE FILMS
SPIKE LEE, KEVIN SMITH, SODERBERGH, TARANTINO
FINANCIAL SUCCESS AND CROSSOVER CAUSED STUDIOS TO CREATE INDIE SUBSIDIARIES LIKE FOX SEARCHLIGHT
MIRAMAX – MOST POWERFUL INDIE COMPANY
GOOD THINGS COME IN SMALL PACKAGES1980’S & EARLY 90’S – RISE OF INDEPENDENT FILM (INDIES)INDEPENDENT FROM THE

Слайд 58PENGUINS, TIGERS, AND BIG MACS…OH MY!!
2000’S – MARKET OPENED UP FOR

OTHER TYPES OF FILM
FOREIGN – CROUCHING TIGER, HIDDEN DRAGON & HERO
DOCUMENTARY – SUPER SIZE ME, FAHRENHEIT 9/11, AND MARCH OF THE PENGUINS
PENGUINS, TIGERS, AND BIG MACS…OH MY!!2000’S – MARKET OPENED UP FOR OTHER TYPES OF FILMFOREIGN – CROUCHING

Слайд 59VIDEO KILLED THE RADIO STAR BUT NOT AMERICAN CINEMA
FILMS THAT DID

POORLY AT THE BOX OFFICE WERE POPULAR ON HOME VIDEO
SHAWSHANK REDEMPTION & THE SECRET OF NIMH
ALLOWED FUTURE FILMMAKERS TO WATCH MOVIES AND LEARN FROM THEM
TARANTINO WORKED AT A VIDEO STORE
VIDEO AND DIGITAL TECHNOLOGY LED TO FILMMAKING AMONG THE NON-RICH AND FAMOUS POSSIBLE WITHOUT A STUDIO BACK
DVD’S ALLOW EXTRA SCENES, COMMENTARY, ETC.
VIDEO KILLED THE RADIO STAR BUT NOT AMERICAN CINEMAFILMS THAT DID POORLY AT THE BOX OFFICE WERE

Слайд 60WILL NETFLIX BE THE DEATH OF AMERICAN CINEMA
Will streaming (Netflix, Amazon

Prime, Hulu, torrenting, etc.) bring an end to seeing movies in theaters???

WILL NETFLIX BE THE DEATH OF AMERICAN CINEMAWill streaming (Netflix, Amazon Prime, Hulu, torrenting, etc.) bring an
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