Презентация, доклад по английскому языку Марина Цветаева

Tanzilya Davletbayevna

literary rehabilitation began in the 1960s. Tsvetaeva's disciplined poetry arose from her own contradictory personality, eccentricity and highly controlled use of language. Among her innumerable themes were female sexuality and the tension between women's private emotions and their public roles. She lived in exile in the 1920s and 1930s because of her political views. After returning to the Soviet Union and being ostracized by the literary community she committed suicide in 1941.

the deepest black is grey, and inspiration is kept in a thermos? with all this immensity in a measured world? (from 'The Poet', trans. by Elaine Feinstein)

a professor of art history and the founder of the Museum of Fine Arts. Her mother Mariya, née Meyn, was a talented concert pianist. The family travelled a great deal and Tsvetaeva attended schools in Switzerland, Germany, and at the Sorbonne, Paris. Tsvetaeva started to write verse in her early childhood. She made her debut as a poet at the age of 18 with the collection Evening Album, a tribute to her childhood.

one son. Magic Lantern showed her technical mastery and was followed in 1913 by a selection of poems from her first collections. The poems composed between 1917 and 1921 appeared in 1957 under the title The Demesne of the Swans.

rejoined her husband, and then to Prague. This was a highly productive period in her life - she published five collections of verse and a number of narrative poems, plays, and essays. She blended elements from Orthodox prayers and folklore with modernist idiom, and often sought inspiration from the 18th century and the (Russian) romantic age, from which she adopted the idea of the poet as a rebel or an outcast: "We are poets, which has the sound of outcast," she once wrote. Molodets (the swain), completed in Czechoslovakia in the late 1922, was her second fairy tale in verse and was widely reviewed by the émigré press. Tsvetaeva and Natal'ia Goncharova, who drew illustrations for it, tried in vain to publish it in French. Le Gars, based on this Russian work, was published in Paris in 1986.

destitute she returned to the Soviet Union in 1938, where her son and husband already lived. Next year her husband was executed and her daughter was sent to a labor camp. Tsvetaeva was officially ostracized and unable to publish. After the USSR was invaded by German Army in 1941, Tsvetaeva was evacuated to the small provincial town of Elabuga with her son. In despair, she hanged herself ten days later on August 31, 1941. She had written in 1922 in 'The Tsar-Maiden': "I am nowhere. / I've vanished in no land. / Nobody catches up with me. / Nothing will bring me back."

ground for women poets. In her poems Tsvetaeva used characters from the Bible, heroines of the classical mythology, and Russian folklore and history. She experimented with many styles, and her collection Razluka (1922, separation) impressed the poet Andrey Bely so that he wrote one of his collections in Tsvetaeva's style.

VERSTY, VYPUSK I, 1922
RAZLUKA, 1922
STIKHI K BLOKU, 1922
TSAR'-DEVITSA, 1922

KONETS KAZANOVY, 1922
REMESLO, 1923
PSIKHEIA, 1923
MOLODETS, 1924
KRYSOLOV, 1925
POSLE ROSSII, 1928 - After Russia
PROZA, 1953

IZBRANNYE PROIZVEDENIIA, 1965
PROSTO SERDTSE, 1967
MOI PUSHKIN, 1969
STIKHHOTVERENIIA, 1969
PROZA, 1969

PIS'MA K ANNE TESKOVOI, 1969
PIS'MA K RAZNYM LITSAM, 1969
Selected Poems, 1971 (trans. by E. Feinstein)
NEIZDANNYE PIS'MA, 1972
NEIZDANNOE, STIKHI, TEATR, PROZA, 1976
METEL'. PRIKLIUCHENIE. ARIADNA. P'ESY, 1978
IZBRANNAIA PROZA 1917-1937, 1979 (2 vols.)

Selected Prose, 1980
SOCHINENIIA, 1980 (2 vols.)
STIKHOTVERENIIA I POEMY, 1980-1990 (5 vols.)
Three Russian Woman Poets: Anna Akhmatova, Marina Tsvevaeva, Bella Akhmadulina, 1983

Rainer Maria Rilke, Marina Zwetajewa, Boris Pasternak: Briefwechsel, 1983 - Boris Pasternak, Marina Tsevtaeva, Rainer Maria Rilke: Letters, Summer 1926
STIKHOTVORENIIA, 1986
Selected Poems, 1987
TEATR, 1988

SOBRANIE SOCHINENII, 1990 (3 vols.)
PIS'MA K ARIADNE BERG (1934-1939), 1990
V POLEMIKE S VEKOM, 1991
SIVILLA, 1991
GDE OTSTYPAETSIA LIUBOV'., 1991

OB ISKUSSTVE, 1991
AVTOBIOGRAFICHESKAIA PROZA, 1991
POEMY, 1992
Art in the Light of Conscience, 1992
SOBRANIE SOCHINENII, 1994-95 (7 vols.)
PIS'MA K DOCHERI, 1995
PIS'MA K ANATOLIIU SHTEIGERU, 1995

Kiev.
- The family didn`t travell a great deal .
- She made her debut as a poet at the age of 18
- They had two daughters and one son.
- In 1922 Tsvetaeva emigrated with her family to Berlin.
- Tsvetaeva was evacuated to the small provincial town of Elabuga with her husband.

Who was the founder of the Museum of Fine Arts?
- What kind of characters did she like to use?
- Where was Tsvetaeva evacuated ?

Tsvetaeva

followed in 1913 by a selection of poems from her first collections.

басни! Мы ж за оду, в которой Ввысь — не нА смех, а нА смерть: Настоящие горы!" (М.Ц.) -"Даже богиней тысячерукой — В гнёзд, в звёзд черноте — Как ни кружи вас, как ни баюкай — Ах! — бодрствуете…" (М.Ц.)